Showing posts with label The English Beat. Show all posts
Showing posts with label The English Beat. Show all posts

Sunday, 30 March 2014

Battle Of The New Wave Bands - Sweet Sixteen (Round 2)

The results for Battle New Wave Bands (Round 1) have been tallied and 32 core acts have been reduced to 16 worthy of consideration for little of Most Popular New Wave Band as selected by your Votes.

Simply send a Comment  (enter Name only in Name/URL drop-down option) to this post with your selections, ie A) 1, 3   B) 1, 2  etc......

As a reminder, when voting take into account the Artist/Band's legacy to the New Wave genre and their entire body of work.

The winners for Round 2 will be announced in one weeks time, so DEADLINE is Sunday April 6th, 6 pm EST.   Good Luck and make your VOTES Count!


A) El Mocambo

B) CBGB




1. English Beat A Winner 1 vs 4
1. Ramones
4. Cure
B Winner 1 vs 4 4. Depeche Mode




2. Blondie A Winner 2 vs 3
2. Smiths
3. Police
B Winner 2 vs 3 3. Joe Jackson








D) 100 Club

C) Roxy




1. Sex Pistols D Winner 1 vs 5
1. Clash
5. Duran Duran
C Winner 1 vs 5 5. Pretenders




2. Elvis Costello D winner 2 vs 3
2. New Order
3. Talking Heads
C Winner 2 vs 6 6. Undertones

Battle of New Wave Bands - Round 1 Results

The Votes are cast, and the winners of Battle of New Wave Bands Round 1 are tabulated below.

In the end, a baker's dozen UK bands advanced as well as three seminal New York acts that received their first breaks at CBGBs.

With early returns it appeared that Devo, Gary Numan, Billy Idol and Talk Talk were poised to upset their much higher seeded opponents.  However the heavy final Sunday selections pushed them all out of contention.

Nonetheless, #6 Undertones advanced and #5 seeds Pretenders and Duran Duran won handily.  The only unanimous choice was the Sex Pistols (perhaps due to relatively unknown Toronto punk opponent, the Diodes) with Police and Clash nearly perfect.  However the match-ups in the 'Sweet Sixteen' Round 2 will been increasingly more difficult.  Good Luck to all remaining New Wave Bands!!!

A) El Mocambo

B) CBGB




1. English Beat 1.English Beat (64%)
1. Ramones
8. Devo
1. Ramones (86%) 8. Jam




4. Cure 4. Cure (64%)
4. Depeche Mode
5. Eurthymics
4. Depeche Mode (86%) 5. Madness




2. Blondie 2. Blondie (71%)
2. Smiths
7. B-52s
2. Smiths (64%) 7. Simple Minds




3. Police 3. Police (93%)
3. Joe Jackson
6. Human League
3. Joe Jackson (64%) 6. Gary Numan




D) 100 Club

C) Roxy




1. Sex Pistols 1. Sex Pistols (100%)
1. Clash
8. Diodes
1. Clash (93%) 8. Boomtown Rats




4. Cars 5. Duran Duran (71%)
4. Kraftwerk
5. Duran Duran
5. Pretenders (71%) 5. Pretenders




2. Elvis Costello 2. Elvis Costello (57%)
2. New Order
7. Talk Talk
2. New Order (64%) 7. Billy Idol




3. Talking Heads 3. Talking Heads (71%)
3. Specials
6. Joy Division
6. Undertones (64%) 6. Undertones

Sunday, 16 March 2014

Battle of New Wave Bands (VOTING DEADLINE: Sunday March 30th 5pm EST)

Borrowing a page from the NCAA College Basketball 'March Madness' tournament, I have created a Battle of New Wave bands (punk, synth, power pop, ska) ranked bracket of 32 artists/bands grouped into four 'concert venue' categories.

Simply send a Comment  (enter Name only in Name/URL drop-down option) to this post with your selections, ie A) 1, 4, 3, 2  B) etc...

When voting take into account the Artist/Band's impact to the New Wave genre and entire body of work.

The winners for each round will be announced in a few weeks after enough votes are collected.  Then the voting continues..... until ONE Champion New Wave Artist/Band is Selected by Popular Vote.

Good Luck and keep the Votes coming in!

A) El Mocambo

B) CBGB




1. English Beat A Winner 1 vs. 8
1. Ramones
8. Devo
B Winner 1 vs. 8 8. Jam




4. Cure A Winner 4 vs. 5
4. Depeche Mode
5. Eurythmics
B Winner 4 vs. 5 5. Madness




2. Blondie A Winner 2 vs. 7
2. Smiths
7. B-52s
B Winner 2 vs. 7 7. Simple Minds




3. Police A Winner 3 vs. 6
3. Joe Jackson
6. Human League
B Winner 3 vs. 6 6. Gary Numan




D) 100 Club

C) Roxy




1. Sex Pistols D Winner 1 vs. 8
1. Clash
8. Diodes
C Winner 1 vs. 8 8. Boomtown Rats




4. Cars D Winner 4 vs. 5
4. Kraftwerk
5. Duran Duran
C Winner 4 vs. 5 5. Pretenders




2. Elvis Costello D Winner 2 vs. 7
2. New Order
7. Talk Talk
C Winner 2 vs. 7 7. Billy Idol




3. Talking Heads D Winner 3 vs. 6
3. Specials
6. Joy Division
C Winner 3 vs. 6 6. Undertones

Friday, 11 January 2013

Top Six Vinyl Record Finds of 2012

What an exciting year 2012 has been for me collecting vinyl, after a new found desire to replace many that I had inadvertently sold in my hasty youth.  The satisfaction of replacing that early Bob Marley/Wailers record, finding that elusive Breeding Ground LP with EP included, or hearing again that long forgotten song "Vertigo" by Rupert Hines (not Rupert Holmes as I soon discovered)!  What an indescribable RUSH!!!

There are many such examples in a year spend tirelessly scouring dusty flea markets, attending packed Record Shows, or carving out time while travelling aboard for work or pleasure.  The HUNT for vinyl is never-ending!  But there are SIX special vinyl records that stand out in a year where I added 1420 records to my expanding collection (almost quadrupling it in one year vs. previous 35 years of selective collecting).

Top Six Vinyl Record Finds of 2012:

           

1. English Beat, I Just Can't Stop It (Sire, 1980)
    
The actual vinyl is in just VG+ condition, but what distinguishes this from all the rest is that the cover is autographed by each of the six band members (corresponding to the silhouette of their faces in iconic cover).  Are you kidding me??   My All-Time favourite LP signed by my All-Time favorite live Band!!!  I did not have the pleasure of witnessing the signing of the LP, but possessing this copy is the next best thing!

Funny thing is that I almost foolishly passed it up.  After a long day of discovering a new Retail used vinyl store in east end of Toronto, I stopped by Sonic Boom and found this unique record.  I hesitated due to the $15 price tag and the fact that I had just that day purchased a Near Mint copy of the same record.  I left the store without purchasing it late Saturday night.

When I got home, doubts started to surface surrounding my decision to pass on this one-in-a-lifetime signed album cover!  What the heck was I thinking?  I blame it on hours of record hunting fatigue in a new store!  I asked my wife her opinion on the matter, and she was unequivocal!  ARE YOU NUTS? I must mention that she does not share the same degree of passion for vinyl records as I do.  But on this topic she was quite adamant.  I immediately called back Sonic Boom the following Sunday morning, to learn that it was not there!  Oh No!!!  Was it sold or misplaced?  I had to find out! I drove in a panic, covering the distance in record time.  I rushed to the Ska/Reggae section, initially could not find it, but after frantic searching found it wedged behind the display record.  How did it get there?  Who cares!   I OWN IT now!!!

2. Television, Marquee Moon (Elecktra, 1977        

This record has assumed legend status over the years.  Original CBGB darlings, Richard Hell leaving over conflicts with Tom Verlaine, universally critically praised LP, but a dismal commercial failure.  Hence the difficulty in finding any vinyl copy of this landmark recording.  Very few purchased this record!   I vaguely remember seeing a copy at the community public library that I worked as a teenager.  My good friend and work buddy Santino Bellisario has confirmed seeing the elusive record at same library. How did we miss this post-punk masterpiece with quasi ‘American Gothic’ cover art?  It was under our nose and had no idea of the greatness we were dealing with!

I was even told by a vinyl record aficionado that it would be next to impossible to find one (outside of a few for sale on internet, which I refuse to purchase).  Well, lo and behold!  I informed my favourite Retail used record store owner that I was looking for this record.  Presto!  He found a Near Mint copy by November from one of his regulars selling vinyl.  I paid $20 for my second most prized vinyl find in the past year!  I have already listened to this record multiple times straight through without skipping a single song.  Even after 35 years, this LP is like no other, with unique singing, poetic lyrics and stunning dual guitar playing.  The title track is a stunning 10 minutes long and was released as a single over two sides! This album is simply a masterpiece!

         

3. New Order, Movement (Factory, 1981)

I am proud to say that I purchased all the original New Order records when they were released, all domestic releases and Extended Play singles, including famous 'Blue Monday' with the unique but so expensive package that nearly bankrupted Factory Records. Well, that is what I assumed.  I always thought that the EP titled 1981-FEP313-1982, with the stunning 'Temptation' single, was the first record. However, I learned this past year, via Wikipedia, that I was in fact missing their all important debut album.  This p***ed me off.  This was amongst my favourite bands during the evolving synth dance music explosion of the early 80s.  And I wasn't even aware of their debut LP!

It was only by pure luck that I stopped at a small boutique highbrow downtown Toronto record store, and reached down at the hidden back of the 80s music boxes. There I found a pristine collectors copy, listened to it thoroughly in the store provided turntable and gladly paid the $30 cash for this hard to find copy with the simple artist cover.  What makes this record a delight is that it marked the transition for the surviving band members of Joy Division (formerly Warsaw) to the newly incarnated New Order. The German WWII motifs in the band name selections were no accident.  The sound is early industrial, dark and de-humanized.  Sounds a lot like Joy Division.  Was this record a homage to Ian Curtis?   Perhaps, but it marks the final chapter.  This debut record sold few copies, like Joy Division LPs at the time. Which makes it highly sought-after.  And I now own a copy that appears to have been played but once or twice!  How lucky!

4. The Undertones, All wrapped Up (Ardeck, 1983)

Don't let the bizarre, disgusting album cover turn you off to what is arguably one the best all-time single and B-side collections of any band.  Even the band distanced themselves from the creative 'genius' who thought it would be a good idea to dress-up a lovely model in various types of meat and shrink-wrap it on her body.  What the heck was he (it could not have been a she) thinking?  Yummy, sausages around her neck?  Just in case she gets hungry!

The 30 songs included in this double record collection span four albums from the Irish power punk/post-punk band.  There are 13 singles on the first record (with original 45 covers nicely depicted on inner sleeve) and 17 B-sides, including all 4 songs from the Teenage Kicks EP that caught the attention of John Peel. The first two LPs featured driving, relentless, machine-gun anthems that rivals anything by the Ramones. The songs were generally about girls, sex, chocolates and cars.  Typical Irish teenagers trying not to be drawn into the 'Troubles.' The vinyl is a UK import in Mint- condition.  Needless to say, this Ardeck record is very rare find in Canada!  I stumbled across it at an October Toronto Record Show, and paid a very fair $15 for the double LP!


  Image result for skrewdriver orange LP            Image result for plastic bertrand an 1LP

5. Skrewdriver, All Skrewed Up (Chiswick, 1977)

What a great story surrounding this unique record!  I discovered a local flea market with a massive vinyl record collection.  I mean massive!  It took me 5 separate visits from 10am-5pm to get through the 100,000+ vinyl buried in nooks and crannies.  It was a labyrinth maze but a record hoarder's heaven!!

The most fascinating find over the 5 visits was a record in such decrepit shape that I initially passed up on it.  But the cover was so unusual and band name so intriguing that I returned the following weekend to pick it up.  The record was in such poor condition, that I was not expecting to be able to play it. It looked as if they used it as a Frisbee on concrete pavement.  Deep surface lacerations, and oil stains in one corner.  Where the heck had this record been? If only it could talk!  I cleaned the vinyl with 50% alcohol solution, and held my hands to my ears as I placed the needle to the vinyl.  To my outmost shock, the record is playable and the intense static between songs only heightens the appeal of this surprising outstanding original punk record on the famous UK Chiswick label.  In addition, the 13 track LP can only be played on 45 rpm!  The price was FREE as even the owner felt bad about the terrible condition of the record.

Strange history with Skrewdriver.  They stopped recording completely after the debut LP release.....until 1984, when they were resurrected as an extreme White Supremacist skinhead hardcore band.  The original lead singer, Ian Stuart Donaldson, died in a car crash in 1993 under mysterious circumstances.  Definitely not my cup of tea, so to speak!  But the first version of the band recorded an original punk rock LP that stands up surprising well!!   Good luck finding a copy!!!!

6. Plastic Bertrand, An 1 (Vogue, 1978)

Who is Plastic Bertrand, you may wonder?  A Belgian musican who released one of the most recognizable new wave classics, "Ca Plane Pour Moi."   What you don't recognize the song?  Perhaps you may have heard the English version of the same song popularized by Elton Motello?  No, how about the Damned?  Still doesn't register?  The song is "Jet Boy Jet Girl."   REALLY!   Listen to the two songs side-by-side and try convincing a music patent judge that they are different.

Although the melody is identical, the lyrics couldn't be any more different. The French version is gibberish (my wife is French Canadian and is very familiar with the artist and song), while the English version was well .... a little controversial.  Judge for yourself:

And though I'm only just fifteen   /   I like to kick, I like to scream
And even if I have a kick or two in bed   /   When I'm with him it's just a dream
Ooh, hoo, hoo, hoo   /   He gives me head

The other songs are equally fun and upbeat with titles such as "Pogo, Pogo," "Dance Dance," "5.4.3.2.1.0."  But make no mistake; what makes this the LP extremely collectable is "Ca Plane Pour Moi" as one of the truly original new wave hits in late 1977.   I purchased a NM copy of this record on French Vogue label for $10 during a June Toronto Record Show from a collector somewhat hesitant to part with it! 


Friday, 6 April 2012

FLASHBACK and FAST FORWARD: The English Beat, The Phoenix, Toronto April 5, 2012

Funny story about how I happened to attend this live concert in downtown Toronto this past Thursday.  I had recently re-connected with a dear high school / university friend Santino Bellasario after being apart for 26 years.  We shared a common interest in literature, movies and especially new wave music in our formative years.  In particular, we attended a number of live concerts together in the early 80s, the defining ones being two separate English Beat performances at the old Masonic Temple / Concert Hall venue in Toronto (more about this later).  I was calling him several weeks ago, and he serendipitously mentioned that the English Beat would be in town.  We booked our tickets immediately!

The English Beat to Santino and I represented the voice of our generation in the late 70s / early 80s; wildly energetic inter-racial two-tone band, trying to cope with Thatcher’s harsh economic policies, promoting a message of love and unity, with a unique sound that fused ska, punk, reggae and pop.  They released three albums in three years (1980-82), but the standout was their first record, ‘I Just Can’t Stop It’ which still today sounds fresh, kinetic, relevant and undiminished.  I have listened to songs from this album non-stop over the past 30 years, receiving heavy rotation on my mp3 player while I train for my marathons (it is perfect up-tempo music!).

The Concert – Then (1981/2), Masonic Temple

The day of the concert, the three of us (Santino, Barb and I) left early and took the Finch bus and Yonge St. subway to downtown Toronto.  We were able to get to the front and center of the stage (general admission with no seats on main floor).  If I recall correctly, the opening band for the second concert was a relatively unknown group, Huey Lewis and the News, who had just released a song called ‘Do You Believe in Love?’  Needless to say, the audience could not wait to see them leave the stage!

The English Beat came on stage to the raucous roar from the tightly packed fans and quickly started into their high energy non-stop performance.  The original band members consisted of lead singers Dave Wakeling and Ranking Roger, guitarists Andy Cox & David Steele, drummer Everett Morton, and the ultra-cool seated legendary saxophonist Saxa. The band was gyrating, jumping to the infectious sound that seemed to vibrate through our bodies.  It was as an intense accelerated wall of sound!  They played the majority of their songs from the two released albums at the time, with no-holds-bared punky songs from the first album ‘I Just Can’t Stop It’ juxtapositioned nicely with more roots-oriented sounds from ‘Wha’happen?’  For example “Click-Click” was followed with “Dream House in NZ.”  Other standouts were “Ranking Full Stop,” “Get-a-Job” as well hits “Mirror in the Bathroom” and “Tears of a Clown”

On the floor, I had to barricade my arms around Barb to keep her from being crushed from the swaying, pogo-ing, jumping mass of fans. At times it felt like this wave of bodies was trying desperately to get closer to the Beat, with several jumping on stage.  It was an exhausting, exhilarating, sauna-like, totally draining, never to be repeated, experience.  At one point, Santino lost his glasses, went down to pick them up, and promptly fainted from the heat exhaustion.  My first thought was “OMG, he is going to be trampled by the crowd.”  Luckily, he was lifted to his feet still unconscious, his body carried by the crowd over their heads, in unison, until he was transported to the safety of the back row.  To this day Santino remembers little of the incident other than reaching for his glasses, passing out, and then staring up at the ceiling, as he was being carried over people’s heads, when he had revived.  Later, on way home on the subway, we laughed about it and compared bodily fluids on our completely drenched clothes (evidence of blood, sweat and tears!).  We all instantly recognized that we had experienced the Concert of Our Lives!!


Below is an English Beat video that is an accurate representation of the kinetic energy from their music and live performances from the early 1980s.



The Concert – Now (2012), The Phoenix

Thirty years later, Santino and I are once again riding the subway to see the English Beat in downtown Toronto (some things change, some stay the same)!  It is weird riding the subway after so long, but we once again arrived at our destination early.  We locate a large bus that belongs to David Wakeling of the English Beat across the Phoenix, and see fans eagerly seeking autographs and photos, of which he obliges. Once inside the concert venue, I undergo a weird case of deju vu, with the layout of the Phoenix very much like the Masonic temple and we are once again front row center before the stage, only this time there is a steel barrier separating the band and bouncers from the throng of the audience. The crowd slowly saunters in and is a fascinating mix of old loyal fans and younger hipper 20/30 somethings.  As we immediately realize, these could be children exposed to music of late Boomers/Gen Xers like Santino and I or simply curious Gen Yers who have broad musical interests via the Internet and iTunes.  The crowd ultimately swells to more than 1000 strong, filling the hall to capacity.

The opening band, the Half-Beats (no kidding) are extremely young school kids who make up for lack of seasoning by pure heart and guts.  After a lengthy wait, this version of the English Beat enters the stage at .  The only original member on the stage is Wakeling, who is touring within the US supported by a solid group of musicians. Ranking Ranking is doing a similar tour within the Britain as the English Beat UK.  Andy Cox and David Steele went on to have success as Fine Young Cannibals in 1985. Everett Morton and Saxa played as the Internal Beat from 1990-95. 

The first thing you notice is that Wakeling is older (what did I expect?), declaring that the Beat just celebrated their 33rd anniversary, in contrast with his more youthful supporting band. But he is smiling, joking, self-deprecating and clearly enjoying what he is doing.  And his voice is still strong.  Some memorable lines; “In your 20s be careful what you say, because you’ll have to remember it in your 50s,” “I don’t remember the 80s, was the Beat before General Public or vice versa?”

The song selections were heavily tilted towards the ‘I Just Can’t Stop It’ album, with eleven choices, including the entire Side 1 of the original vinyl record, much the delight of adoring fans.  Wakeling was surprised that most fans were familiar with and singing along to the words of the songs.  There were three songs from ‘Special Beat Service,’ two from ‘General Public’ and one from his solo phase.

The music was efficient, but did not have the chemistry and excitement of those early 80s concerts.  Nonetheless, instead of frenetic assault from early 20s angry young men of the past, this was more a time for savoring and stretching out of these same songs.  The pacing was good, with the band performing without a break until , or nearly two hours.  The set started with a mellow “Roughrider”, hit its stride with “Click Click” (about teenage suicide in the late 70s UK) and “Stand Down Margaret” (“Thatcher did not look like Meryl Streep but your brother-in-law with hemorrhoids and a hangover”) and ended with rousing renditions of “Tenderness” and “Mirror in the Bathroom.” 

After all these years, Wakeling still has the magic!  For a moment at the end, I felt transported back to the Masonic Temple in the front stage hanging on for dear life!  This time Santino did not pass out, even though it was just as bloody hot!  At one point, Wakeling sang his solo hit, “I’ll Take You There” and I don’t think he realized how true those words were for us. Thank you David Wakeling for sending Santino and I to back to that special time and place!!


Phoenix
Concert Set Song Listing:

Roughrider
Tears of a Clown
Hands Off She’s Mine (extended)
Twist and Crawl
I’ll Take You There
I Confess
Click Click
Sooner or Later
Whine and Grine
Stand Down Margaret
Two Swords
Can’t Get Used to Losing You
Sole Salvation
Never You Done That
(Want the Ska)
Ranking Full Stop
Tenderness
Mirror in the Bathroom


Tuesday, 3 April 2012

FAVORITE Original Videos - Ska

Check out these original videos from Madness, The Specials, The English Beat, and Squeeze!

I believe it captures the fun and exciting sound from that British Ska era.

To enjoy the Full audio / visual experience of this great music, please select the Full Screen option and the far bottom right hand corner on the videos.