Showing posts with label The Undertones. Show all posts
Showing posts with label The Undertones. Show all posts

Sunday, 30 March 2014

Battle Of The New Wave Bands - Sweet Sixteen (Round 2)

The results for Battle New Wave Bands (Round 1) have been tallied and 32 core acts have been reduced to 16 worthy of consideration for little of Most Popular New Wave Band as selected by your Votes.

Simply send a Comment  (enter Name only in Name/URL drop-down option) to this post with your selections, ie A) 1, 3   B) 1, 2  etc......

As a reminder, when voting take into account the Artist/Band's legacy to the New Wave genre and their entire body of work.

The winners for Round 2 will be announced in one weeks time, so DEADLINE is Sunday April 6th, 6 pm EST.   Good Luck and make your VOTES Count!


A) El Mocambo

B) CBGB




1. English Beat A Winner 1 vs 4
1. Ramones
4. Cure
B Winner 1 vs 4 4. Depeche Mode




2. Blondie A Winner 2 vs 3
2. Smiths
3. Police
B Winner 2 vs 3 3. Joe Jackson








D) 100 Club

C) Roxy




1. Sex Pistols D Winner 1 vs 5
1. Clash
5. Duran Duran
C Winner 1 vs 5 5. Pretenders




2. Elvis Costello D winner 2 vs 3
2. New Order
3. Talking Heads
C Winner 2 vs 6 6. Undertones

Saturday, 30 March 2013

New Wave is Alive and Well – Late Bar, Chicago USA (Feb 9 2013)

What a fantastic experience it was attending an ALL New Wave Night Club, as featured every first Saturday of the month at Late Bar, in Chicago while on company business.  I was there specifically to check out a work colleague, Tarsis Lopez, who was the opening DJ for this popular New Wave event. 
The Late Bar is well situated in a central Chicago neighborhood, and a select group of Tarsis guests were escorted to a private table at the front of the dance floor and large video screen.  The bar itself was oddly shaped; reasonable space at the entrance, then a rather narrow passageway  through the bar on one side and washrooms on the other, opening up to a spacious rectangular dance area.  This point will make sense later.
We arrived at 10:20pm, just into Tarsis’ varied selection of lesser known New Wave songs, as featured on his regular podcasts on www.AlternativeClassix.blogs.com.  His DJ gig this night ran from 10pm-12:30am, then handing it over to seasoned DJ  Dave Roberts  with his more recognizable hits during his Planet Earth set until 5am into the morning (not the reason for name ‘Late Bar’,  but rather the B-side for Duran Duran debut single ‘Planet Earth’). 

The difference with the DJ Tarsis set are the original videos to accompany the eclectic range of alternative classix music.  Almost feels like one is in the comfort of home watching early MTV videos. Tarsis not only selects captivating less known songs, but even recognizable ones are enhanced by long forgotten ground-breaking videos (for that time!). I don't recall any other night clubs that pack this potent 1-2 sight and sound punch!
Over the course of the night, the crowd began to swell and dance to the original videos accompanying Tarsis’ interesting song selections.   Distinct personalities began to emerge as we approached midnight.  Goth Androgyny meets Wall Street Boomer, Rockabilly boy serenading Mohawk Punker babe, with Fifties bobbysoxer dancing by her lonesome. 
I felt like an interloper into a secret underground society.  Who were these characters and where did they come from?  Age was not an issue.  Older and younger were both singing/bopping to the same tunes. For some (the several that had obviously been around for the original first punk / new wave explosion in late 70s) it was as though Punk/New Wave had never gone away, and they got their weekly nostalgic fix here.  For others (born too late, but likely introduced by older siblings or hip parents!), it was imagining a thrilling, creative, chaotic and rebellious time past, in a safe and fun setting.
Highlights of the Tarsis set were Magazine’s ‘the Light Pours out of Me’ (Wall Street Boomer favorite and excited that I too loved his song), Blancmange’s ‘Living On the Ceiling’ (ATTACHED video of Middle East setting is stunning) and a personal request, the Undertones ‘True Confessions’, in which I ran in circles around Goth Andro (as good a song as anything by the Ramones, in my humble opinion).

Vee-Jay  Tarsis Lopez  - Set Listing
Tarsis-feb
The Cure - 10:15 Saturday Night
Depeche Mode - Everything Counts
Duran Duran - New Religion
Electronic - Disappointed

Human League - Night People
Tracy Thorn - It's All True
Soft Cell – Bedsitter
Blancmange - Living On The Ceiling
Magazine - The Light Pours Out of Me
X-Ray Spex - Identity
Undertones – True Confessions
Icehouse – Icehouse
Bryan Ferry - Limbo
Tones on Tail - Performance
New Order - Everything's Gone Green
Erasure - Chains of Love
Eurythmics - Love Is A Stranger
Adam Ant - Ant Rap
Stone Roses - Fools Gold
Charlatans UK - The Only One I Know
Blur - Boys and Girls


                 
Enjoying the Eurythmics video                (L-R) Trish Troumpoucis, Christy Nolan, Tarsis Lopez
 (Laura Grossman in background)


The DJ Roberts set began after midnight, and I discovered a fresh, modern song  ‘Photographic’ from Depeche Mode’s debut LP.  I was on the dancefloor with Tarsis work colleagues, and Trish knew the all the lyrics by heart, punctuated by the catchy refrain:
I take pictures
Photographic pictures

Bright light, dark room
Bright light, dark room

We were just getting into a groove; shouting, jumping and fist pumping to Depeche Mode and New Order’s ‘Temptation’:
Oh, you've got green eyes
Oh, you've got blue eyes
Oh, you've got grey eyes
And I've never seen anyone quite like you before

Up, down, turn around
Please don't let me hit the ground
Tonight I think I'll walk alone
I'll find my soul as I go home

 Then I was told by the Late Bar Manager that I needed to stop jumping around as I had received complaints from others on the dancefloor , and that I posed a threat.  REALLY, a 53 year old Canadian out-of-shape guy was a threat to 20 and 30 something wannabes???   I was insulted!!!  I lived that exciting late 70s era before the majority of these poseurs were even born.  I perfected pogo dancing in my day.  LOL!!! 

When I finally calmed down, I realized the layout of Late Bar, with its narrow access posed a huge fire security risk.  This was on the heels of the devastating nightclub fire in Brazil.   OK, I got it.  This wasn’t personal after all.  But my night was done at this point.  I waited for Tarsis and followed him out of bar as Talking Heads ‘Life During Wartime’ was playing;

This ain't no party, this ain't no disco,
This ain't no fooling around
No time for dancing, or lovey dovey,
I ain't got time for that now

An ironic but fitting end to a spectacular evening of fantastic New Wave music in Chicago!!!

Post – Script:  A Late Bar waiter was inquiring from Tarsis about the guy who had been jumping around the dancefloor.  His comment was that he had not seen such a high energy level at the bar in a long time! 

Friday, 11 January 2013

Top Six Vinyl Record Finds of 2012

What an exciting year 2012 has been for me collecting vinyl, after a new found desire to replace many that I had inadvertently sold in my hasty youth.  The satisfaction of replacing that early Bob Marley/Wailers record, finding that elusive Breeding Ground LP with EP included, or hearing again that long forgotten song "Vertigo" by Rupert Hines (not Rupert Holmes as I soon discovered)!  What an indescribable RUSH!!!

There are many such examples in a year spend tirelessly scouring dusty flea markets, attending packed Record Shows, or carving out time while travelling aboard for work or pleasure.  The HUNT for vinyl is never-ending!  But there are SIX special vinyl records that stand out in a year where I added 1420 records to my expanding collection (almost quadrupling it in one year vs. previous 35 years of selective collecting).

Top Six Vinyl Record Finds of 2012:

           

1. English Beat, I Just Can't Stop It (Sire, 1980)
    
The actual vinyl is in just VG+ condition, but what distinguishes this from all the rest is that the cover is autographed by each of the six band members (corresponding to the silhouette of their faces in iconic cover).  Are you kidding me??   My All-Time favourite LP signed by my All-Time favorite live Band!!!  I did not have the pleasure of witnessing the signing of the LP, but possessing this copy is the next best thing!

Funny thing is that I almost foolishly passed it up.  After a long day of discovering a new Retail used vinyl store in east end of Toronto, I stopped by Sonic Boom and found this unique record.  I hesitated due to the $15 price tag and the fact that I had just that day purchased a Near Mint copy of the same record.  I left the store without purchasing it late Saturday night.

When I got home, doubts started to surface surrounding my decision to pass on this one-in-a-lifetime signed album cover!  What the heck was I thinking?  I blame it on hours of record hunting fatigue in a new store!  I asked my wife her opinion on the matter, and she was unequivocal!  ARE YOU NUTS? I must mention that she does not share the same degree of passion for vinyl records as I do.  But on this topic she was quite adamant.  I immediately called back Sonic Boom the following Sunday morning, to learn that it was not there!  Oh No!!!  Was it sold or misplaced?  I had to find out! I drove in a panic, covering the distance in record time.  I rushed to the Ska/Reggae section, initially could not find it, but after frantic searching found it wedged behind the display record.  How did it get there?  Who cares!   I OWN IT now!!!

2. Television, Marquee Moon (Elecktra, 1977        

This record has assumed legend status over the years.  Original CBGB darlings, Richard Hell leaving over conflicts with Tom Verlaine, universally critically praised LP, but a dismal commercial failure.  Hence the difficulty in finding any vinyl copy of this landmark recording.  Very few purchased this record!   I vaguely remember seeing a copy at the community public library that I worked as a teenager.  My good friend and work buddy Santino Bellisario has confirmed seeing the elusive record at same library. How did we miss this post-punk masterpiece with quasi ‘American Gothic’ cover art?  It was under our nose and had no idea of the greatness we were dealing with!

I was even told by a vinyl record aficionado that it would be next to impossible to find one (outside of a few for sale on internet, which I refuse to purchase).  Well, lo and behold!  I informed my favourite Retail used record store owner that I was looking for this record.  Presto!  He found a Near Mint copy by November from one of his regulars selling vinyl.  I paid $20 for my second most prized vinyl find in the past year!  I have already listened to this record multiple times straight through without skipping a single song.  Even after 35 years, this LP is like no other, with unique singing, poetic lyrics and stunning dual guitar playing.  The title track is a stunning 10 minutes long and was released as a single over two sides! This album is simply a masterpiece!

         

3. New Order, Movement (Factory, 1981)

I am proud to say that I purchased all the original New Order records when they were released, all domestic releases and Extended Play singles, including famous 'Blue Monday' with the unique but so expensive package that nearly bankrupted Factory Records. Well, that is what I assumed.  I always thought that the EP titled 1981-FEP313-1982, with the stunning 'Temptation' single, was the first record. However, I learned this past year, via Wikipedia, that I was in fact missing their all important debut album.  This p***ed me off.  This was amongst my favourite bands during the evolving synth dance music explosion of the early 80s.  And I wasn't even aware of their debut LP!

It was only by pure luck that I stopped at a small boutique highbrow downtown Toronto record store, and reached down at the hidden back of the 80s music boxes. There I found a pristine collectors copy, listened to it thoroughly in the store provided turntable and gladly paid the $30 cash for this hard to find copy with the simple artist cover.  What makes this record a delight is that it marked the transition for the surviving band members of Joy Division (formerly Warsaw) to the newly incarnated New Order. The German WWII motifs in the band name selections were no accident.  The sound is early industrial, dark and de-humanized.  Sounds a lot like Joy Division.  Was this record a homage to Ian Curtis?   Perhaps, but it marks the final chapter.  This debut record sold few copies, like Joy Division LPs at the time. Which makes it highly sought-after.  And I now own a copy that appears to have been played but once or twice!  How lucky!

4. The Undertones, All wrapped Up (Ardeck, 1983)

Don't let the bizarre, disgusting album cover turn you off to what is arguably one the best all-time single and B-side collections of any band.  Even the band distanced themselves from the creative 'genius' who thought it would be a good idea to dress-up a lovely model in various types of meat and shrink-wrap it on her body.  What the heck was he (it could not have been a she) thinking?  Yummy, sausages around her neck?  Just in case she gets hungry!

The 30 songs included in this double record collection span four albums from the Irish power punk/post-punk band.  There are 13 singles on the first record (with original 45 covers nicely depicted on inner sleeve) and 17 B-sides, including all 4 songs from the Teenage Kicks EP that caught the attention of John Peel. The first two LPs featured driving, relentless, machine-gun anthems that rivals anything by the Ramones. The songs were generally about girls, sex, chocolates and cars.  Typical Irish teenagers trying not to be drawn into the 'Troubles.' The vinyl is a UK import in Mint- condition.  Needless to say, this Ardeck record is very rare find in Canada!  I stumbled across it at an October Toronto Record Show, and paid a very fair $15 for the double LP!


  Image result for skrewdriver orange LP            Image result for plastic bertrand an 1LP

5. Skrewdriver, All Skrewed Up (Chiswick, 1977)

What a great story surrounding this unique record!  I discovered a local flea market with a massive vinyl record collection.  I mean massive!  It took me 5 separate visits from 10am-5pm to get through the 100,000+ vinyl buried in nooks and crannies.  It was a labyrinth maze but a record hoarder's heaven!!

The most fascinating find over the 5 visits was a record in such decrepit shape that I initially passed up on it.  But the cover was so unusual and band name so intriguing that I returned the following weekend to pick it up.  The record was in such poor condition, that I was not expecting to be able to play it. It looked as if they used it as a Frisbee on concrete pavement.  Deep surface lacerations, and oil stains in one corner.  Where the heck had this record been? If only it could talk!  I cleaned the vinyl with 50% alcohol solution, and held my hands to my ears as I placed the needle to the vinyl.  To my outmost shock, the record is playable and the intense static between songs only heightens the appeal of this surprising outstanding original punk record on the famous UK Chiswick label.  In addition, the 13 track LP can only be played on 45 rpm!  The price was FREE as even the owner felt bad about the terrible condition of the record.

Strange history with Skrewdriver.  They stopped recording completely after the debut LP release.....until 1984, when they were resurrected as an extreme White Supremacist skinhead hardcore band.  The original lead singer, Ian Stuart Donaldson, died in a car crash in 1993 under mysterious circumstances.  Definitely not my cup of tea, so to speak!  But the first version of the band recorded an original punk rock LP that stands up surprising well!!   Good luck finding a copy!!!!

6. Plastic Bertrand, An 1 (Vogue, 1978)

Who is Plastic Bertrand, you may wonder?  A Belgian musican who released one of the most recognizable new wave classics, "Ca Plane Pour Moi."   What you don't recognize the song?  Perhaps you may have heard the English version of the same song popularized by Elton Motello?  No, how about the Damned?  Still doesn't register?  The song is "Jet Boy Jet Girl."   REALLY!   Listen to the two songs side-by-side and try convincing a music patent judge that they are different.

Although the melody is identical, the lyrics couldn't be any more different. The French version is gibberish (my wife is French Canadian and is very familiar with the artist and song), while the English version was well .... a little controversial.  Judge for yourself:

And though I'm only just fifteen   /   I like to kick, I like to scream
And even if I have a kick or two in bed   /   When I'm with him it's just a dream
Ooh, hoo, hoo, hoo   /   He gives me head

The other songs are equally fun and upbeat with titles such as "Pogo, Pogo," "Dance Dance," "5.4.3.2.1.0."  But make no mistake; what makes this the LP extremely collectable is "Ca Plane Pour Moi" as one of the truly original new wave hits in late 1977.   I purchased a NM copy of this record on French Vogue label for $10 during a June Toronto Record Show from a collector somewhat hesitant to part with it!