Friday, 5 April 2013

The Greatest Punk Song Ever: "New Rose" vs. "God Save the Queen"

While in Chicago in Feb 2013, I met up with a business colleague and fellow new wave / alternative music fanatic, Taris Lopez.  Over a few local beers and some tasty appetizers, we launched into a full blown debate on what song deserves the title of 'Greatest Punk Song Ever.'  Tarsis was in the Damned's camp with "New Rose" the first official punk song released in the UK.  I argued voraciously that the Sex Pistols "God Save the Queen" lay claim to that lofty title because of the controversy at home and simultaneous international shot-in-the-arm it provided Punk Rock.  As we are both strongly vested in our opinions, the case for each song will be made below.

Before we do so, there are several other songs outside the UK that could earn Honourable Mention for "Greatest Punk Song Ever" as indicated:

Ramones - Blitzbreig Bop (US, April 1976 release)
The song that started it all!  "Hey, ho, let's go!"  The Ramones toured the UK and July 4&5, 1976 performances helped to jump-start a burgeoning punk rock scence, where members of the Sex Pistols and Clash were inspired. Unfortunately, the song has been way over-exposed in arena sporting events.

Saints - (I'm) Stranded (Australia, Sept 1976)
This iconic song from Down Under actually pre-dated débuts by the Damned, Sex Pistols and Clash.  Edgy with a great guitar riff, this classic holds up very well.  Too bad the Saints morphed into a pop-ish band by the 80s, leaving the punk roots behind.

Plastic Bertrand - Ca Plane Pour Moi (Belgium, Dec 1977)
A great international French punk hit that was popularized from original English version "Jet Boy Jet Girl" by Elton Motello and later covered by many punk bands, including the Damned and Chron Gen. What unforgettable lyrics, "Ooh, he gives me head."

Viletones - Screaming Fist (Canada, late 1977)
Canada's premier punk band, with this hard-to-find recording released as their first single after a Toronto punk showcase at CBGBs July 1977.  Nazi Dog on lead vocals and Motor X on drums. Sing-along to "Pump your fist, if you love this shit."

O.K.  For the main bout. In one corner, a band that would demonstrate uncanny staying power by becoming pioneers in an evolving genre, goth!  In the other corner, snotty spitting brats that would self-destruct within a year.

              

The Damned - New Rose (UK, Oct 1976, Stiff label)
* The first single by a British punk band, top UK chart position; 81
* From the first UK Punk album, Damned Damned Damned, top UK chart position; 36
* Performed second live performance July 6, 1976 opening for Sex Pistols at 100 Club
* Years Active: 1976 - present (10 studio LPs, 31 singles)
* Members: Dave Vanian, Brian James, Captain Sensible and Rat Scabies

The introductory adrenaline fuelled pounding drums & guitars are unmistakable.  The topic is teen angst love song!! No politics here.  An enduring band still performing today.

" I gotta a feelin' inside of me / It's kinda strange like a stormy sea"
 " I gotta new rose, I got her good / Guess I knew that I always would"

Sex Pistols - God Save the Queen (UK, May 1977, Virgin label)
* The second single released by the band (first was Anarchy in the UK in Nov 1976)
* Song reached #1 on NME charts, but #2 (*fixed) on official UK Single Charts by BBC
* From the bands only studio album, Never Mind the Bollocks, top UK position #1
* First major live performance Feb 12, 1976 at Marquee supporting Eddie & the Hot Rods
* Years active 1975-1978 (1 studio LP, 13 other albums, 10 singles)
* Members: Johnny Rotten, Steve Jones, Paul Cook, Glen Matlock, Sid Vicious (RIP)

What more can be said about a song released during Queen Elizabeth II's Silver Jubilee in 1977?  The record's lyrics and cover were controversial; direct assault on the queen and monarchy.  The fixing of the charts to keep it out of #1 position, despite it selling more copies than Rod Stewart's "I Don't Want to Talk About It."  REALLY? This song became a rallying cry for disaffected youth in an era of Thatcher's brutal economic policies resulting in high unemployment.  What explosive opening lyrics:

"God save the queen / It's a fascist regime / They made you a moron / A potential H-bomb"
"God save the queen /She ain't no human being / There is no future / In England's dreaming"


So, now it is time to vote:

  • The Damned - New Rose 

     

  • Sex Pistols - God Save the Queen  




Thursday, 4 April 2013

Pimp my Punk Playlist - 10 Punk 'Pogo' Songs

While in Chicago, and visiting DJ Tarsis at Late Bar on Feb 9 2013, I provided him a list of Punk anthems that I felt would be great to get folks up on the dance floor, doing the pogo and fist pumping.  To Tarsis' credit he did incorporate two of the original 10 songs list, the Undertones and X-Ray Spex (with original video too, attached below).

Below is the original 10 Punk song listing:


1.       Clash – I Fought the Law
2.       Undertones – True Confessions  (1:56 edgy EP version) 
3.       Damned – Neat Neat Neat
4.       X-Ray Spex –  Identity
5.       Martha & the Muffins – Paint by Number Heart
6.       Skrewdriver - Antisocial
7.       Members – Don’t Push
8.       Vibrators – Whips & Furs
9.       Wire – 12XU
10.     Cure - Fire in Cairo



Saturday, 30 March 2013

New Wave is Alive and Well – Late Bar, Chicago USA (Feb 9 2013)

What a fantastic experience it was attending an ALL New Wave Night Club, as featured every first Saturday of the month at Late Bar, in Chicago while on company business.  I was there specifically to check out a work colleague, Tarsis Lopez, who was the opening DJ for this popular New Wave event. 
The Late Bar is well situated in a central Chicago neighborhood, and a select group of Tarsis guests were escorted to a private table at the front of the dance floor and large video screen.  The bar itself was oddly shaped; reasonable space at the entrance, then a rather narrow passageway  through the bar on one side and washrooms on the other, opening up to a spacious rectangular dance area.  This point will make sense later.
We arrived at 10:20pm, just into Tarsis’ varied selection of lesser known New Wave songs, as featured on his regular podcasts on www.AlternativeClassix.blogs.com.  His DJ gig this night ran from 10pm-12:30am, then handing it over to seasoned DJ  Dave Roberts  with his more recognizable hits during his Planet Earth set until 5am into the morning (not the reason for name ‘Late Bar’,  but rather the B-side for Duran Duran debut single ‘Planet Earth’). 

The difference with the DJ Tarsis set are the original videos to accompany the eclectic range of alternative classix music.  Almost feels like one is in the comfort of home watching early MTV videos. Tarsis not only selects captivating less known songs, but even recognizable ones are enhanced by long forgotten ground-breaking videos (for that time!). I don't recall any other night clubs that pack this potent 1-2 sight and sound punch!
Over the course of the night, the crowd began to swell and dance to the original videos accompanying Tarsis’ interesting song selections.   Distinct personalities began to emerge as we approached midnight.  Goth Androgyny meets Wall Street Boomer, Rockabilly boy serenading Mohawk Punker babe, with Fifties bobbysoxer dancing by her lonesome. 
I felt like an interloper into a secret underground society.  Who were these characters and where did they come from?  Age was not an issue.  Older and younger were both singing/bopping to the same tunes. For some (the several that had obviously been around for the original first punk / new wave explosion in late 70s) it was as though Punk/New Wave had never gone away, and they got their weekly nostalgic fix here.  For others (born too late, but likely introduced by older siblings or hip parents!), it was imagining a thrilling, creative, chaotic and rebellious time past, in a safe and fun setting.
Highlights of the Tarsis set were Magazine’s ‘the Light Pours out of Me’ (Wall Street Boomer favorite and excited that I too loved his song), Blancmange’s ‘Living On the Ceiling’ (ATTACHED video of Middle East setting is stunning) and a personal request, the Undertones ‘True Confessions’, in which I ran in circles around Goth Andro (as good a song as anything by the Ramones, in my humble opinion).

Vee-Jay  Tarsis Lopez  - Set Listing
Tarsis-feb
The Cure - 10:15 Saturday Night
Depeche Mode - Everything Counts
Duran Duran - New Religion
Electronic - Disappointed

Human League - Night People
Tracy Thorn - It's All True
Soft Cell – Bedsitter
Blancmange - Living On The Ceiling
Magazine - The Light Pours Out of Me
X-Ray Spex - Identity
Undertones – True Confessions
Icehouse – Icehouse
Bryan Ferry - Limbo
Tones on Tail - Performance
New Order - Everything's Gone Green
Erasure - Chains of Love
Eurythmics - Love Is A Stranger
Adam Ant - Ant Rap
Stone Roses - Fools Gold
Charlatans UK - The Only One I Know
Blur - Boys and Girls


                 
Enjoying the Eurythmics video                (L-R) Trish Troumpoucis, Christy Nolan, Tarsis Lopez
 (Laura Grossman in background)


The DJ Roberts set began after midnight, and I discovered a fresh, modern song  ‘Photographic’ from Depeche Mode’s debut LP.  I was on the dancefloor with Tarsis work colleagues, and Trish knew the all the lyrics by heart, punctuated by the catchy refrain:
I take pictures
Photographic pictures

Bright light, dark room
Bright light, dark room

We were just getting into a groove; shouting, jumping and fist pumping to Depeche Mode and New Order’s ‘Temptation’:
Oh, you've got green eyes
Oh, you've got blue eyes
Oh, you've got grey eyes
And I've never seen anyone quite like you before

Up, down, turn around
Please don't let me hit the ground
Tonight I think I'll walk alone
I'll find my soul as I go home

 Then I was told by the Late Bar Manager that I needed to stop jumping around as I had received complaints from others on the dancefloor , and that I posed a threat.  REALLY, a 53 year old Canadian out-of-shape guy was a threat to 20 and 30 something wannabes???   I was insulted!!!  I lived that exciting late 70s era before the majority of these poseurs were even born.  I perfected pogo dancing in my day.  LOL!!! 

When I finally calmed down, I realized the layout of Late Bar, with its narrow access posed a huge fire security risk.  This was on the heels of the devastating nightclub fire in Brazil.   OK, I got it.  This wasn’t personal after all.  But my night was done at this point.  I waited for Tarsis and followed him out of bar as Talking Heads ‘Life During Wartime’ was playing;

This ain't no party, this ain't no disco,
This ain't no fooling around
No time for dancing, or lovey dovey,
I ain't got time for that now

An ironic but fitting end to a spectacular evening of fantastic New Wave music in Chicago!!!

Post – Script:  A Late Bar waiter was inquiring from Tarsis about the guy who had been jumping around the dancefloor.  His comment was that he had not seen such a high energy level at the bar in a long time! 

Tuesday, 26 March 2013

CLASSIC SONG & LYRICS - How Soon is Now? (The Smiths, 1984)

File:Smithshowsoonisnow.jpg

Perhaps one of the most identifiable new wave songs of the 80s, the Smith's "How soon Is Now?" opens with Johnny Marr's electrifying guitar screech, signaling the emotional desperation to come from Morrissey's naked words.  This is a plain cry for human connection and love in the Yuppie power and money obsessed 'Wall Street' decade.  The song is evocative in the same way that Munch's modern art's masterpiece 'the Scream' leaves an unsettled impression on the interloper.  This is exactly how one feels listening to this Smiths signature song - that one is eavesdropping into the fractured soul of the singer. Morrissey was always an enigmatic figure with cryptic glimpses into his unconventional life, but the feelings he expresses so convincingly are universal - the pursuit for love and the ideal life-partner/soul-mate!

On a personal level, this song was released a short while after a very painful split from a four year relationship.  I easily identified with the pain and seemingly impossible ordeal of finding lasting love ever again.  The song represented my wake-up call. I shifted from one relationship to the next, club to club, somewhat lost and disillusioned. I felt as if the song was written about ME.  That is the power of great art.

I eventually met the love of my life, Guylaine, my wife now of 22 years (and still going strong).  I took a long while after the Smiths song to find the right person, but by then I knew the exact qualities I was searching.  

As an aside, I recently heard the song played once again in a charity event.  It made my spine crawl to hear the Morrissey's howl of longing as if it were 1984/1985 once again. Not surprising my list of 100 Essential New Wave Songs ends with this timeless Smiths masterpiece.  It was a time capsule that perfectly captured my emotional state and impacted me like no other!


I am the son and the heirOf a shyness that is criminally vulgarI am the son and heirOf the nothing in particular

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

I am the son and the heirOf a shyness that is criminally vulgarI am the son and the heirOf nothing in particular

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

There's a clubIf you'd like to goYou could meet somebodyWho really loves you

So you go and you stand on your ownAnd you leave on your ownAnd you go homeAnd you cry and you want to die

When you say it's gonna happen nowWell, when exactly do you mean?See, I've already waited too longAnd all my hope is gone

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

The embedded video conveys the mid-80s fashion style and increasing social isolation very accurately. (Sorry for the opening advertisement!!)


the smiths - how soon is now.. by robertjgunn

Friday, 11 January 2013

Top Six Vinyl Record Finds of 2012

What an exciting year 2012 has been for me collecting vinyl, after a new found desire to replace many that I had inadvertently sold in my hasty youth.  The satisfaction of replacing that early Bob Marley/Wailers record, finding that elusive Breeding Ground LP with EP included, or hearing again that long forgotten song "Vertigo" by Rupert Hines (not Rupert Holmes as I soon discovered)!  What an indescribable RUSH!!!

There are many such examples in a year spend tirelessly scouring dusty flea markets, attending packed Record Shows, or carving out time while travelling aboard for work or pleasure.  The HUNT for vinyl is never-ending!  But there are SIX special vinyl records that stand out in a year where I added 1420 records to my expanding collection (almost quadrupling it in one year vs. previous 35 years of selective collecting).

Top Six Vinyl Record Finds of 2012:

           

1. English Beat, I Just Can't Stop It (Sire, 1980)
    
The actual vinyl is in just VG+ condition, but what distinguishes this from all the rest is that the cover is autographed by each of the six band members (corresponding to the silhouette of their faces in iconic cover).  Are you kidding me??   My All-Time favourite LP signed by my All-Time favorite live Band!!!  I did not have the pleasure of witnessing the signing of the LP, but possessing this copy is the next best thing!

Funny thing is that I almost foolishly passed it up.  After a long day of discovering a new Retail used vinyl store in east end of Toronto, I stopped by Sonic Boom and found this unique record.  I hesitated due to the $15 price tag and the fact that I had just that day purchased a Near Mint copy of the same record.  I left the store without purchasing it late Saturday night.

When I got home, doubts started to surface surrounding my decision to pass on this one-in-a-lifetime signed album cover!  What the heck was I thinking?  I blame it on hours of record hunting fatigue in a new store!  I asked my wife her opinion on the matter, and she was unequivocal!  ARE YOU NUTS? I must mention that she does not share the same degree of passion for vinyl records as I do.  But on this topic she was quite adamant.  I immediately called back Sonic Boom the following Sunday morning, to learn that it was not there!  Oh No!!!  Was it sold or misplaced?  I had to find out! I drove in a panic, covering the distance in record time.  I rushed to the Ska/Reggae section, initially could not find it, but after frantic searching found it wedged behind the display record.  How did it get there?  Who cares!   I OWN IT now!!!

2. Television, Marquee Moon (Elecktra, 1977        

This record has assumed legend status over the years.  Original CBGB darlings, Richard Hell leaving over conflicts with Tom Verlaine, universally critically praised LP, but a dismal commercial failure.  Hence the difficulty in finding any vinyl copy of this landmark recording.  Very few purchased this record!   I vaguely remember seeing a copy at the community public library that I worked as a teenager.  My good friend and work buddy Santino Bellisario has confirmed seeing the elusive record at same library. How did we miss this post-punk masterpiece with quasi ‘American Gothic’ cover art?  It was under our nose and had no idea of the greatness we were dealing with!

I was even told by a vinyl record aficionado that it would be next to impossible to find one (outside of a few for sale on internet, which I refuse to purchase).  Well, lo and behold!  I informed my favourite Retail used record store owner that I was looking for this record.  Presto!  He found a Near Mint copy by November from one of his regulars selling vinyl.  I paid $20 for my second most prized vinyl find in the past year!  I have already listened to this record multiple times straight through without skipping a single song.  Even after 35 years, this LP is like no other, with unique singing, poetic lyrics and stunning dual guitar playing.  The title track is a stunning 10 minutes long and was released as a single over two sides! This album is simply a masterpiece!

         

3. New Order, Movement (Factory, 1981)

I am proud to say that I purchased all the original New Order records when they were released, all domestic releases and Extended Play singles, including famous 'Blue Monday' with the unique but so expensive package that nearly bankrupted Factory Records. Well, that is what I assumed.  I always thought that the EP titled 1981-FEP313-1982, with the stunning 'Temptation' single, was the first record. However, I learned this past year, via Wikipedia, that I was in fact missing their all important debut album.  This p***ed me off.  This was amongst my favourite bands during the evolving synth dance music explosion of the early 80s.  And I wasn't even aware of their debut LP!

It was only by pure luck that I stopped at a small boutique highbrow downtown Toronto record store, and reached down at the hidden back of the 80s music boxes. There I found a pristine collectors copy, listened to it thoroughly in the store provided turntable and gladly paid the $30 cash for this hard to find copy with the simple artist cover.  What makes this record a delight is that it marked the transition for the surviving band members of Joy Division (formerly Warsaw) to the newly incarnated New Order. The German WWII motifs in the band name selections were no accident.  The sound is early industrial, dark and de-humanized.  Sounds a lot like Joy Division.  Was this record a homage to Ian Curtis?   Perhaps, but it marks the final chapter.  This debut record sold few copies, like Joy Division LPs at the time. Which makes it highly sought-after.  And I now own a copy that appears to have been played but once or twice!  How lucky!

4. The Undertones, All wrapped Up (Ardeck, 1983)

Don't let the bizarre, disgusting album cover turn you off to what is arguably one the best all-time single and B-side collections of any band.  Even the band distanced themselves from the creative 'genius' who thought it would be a good idea to dress-up a lovely model in various types of meat and shrink-wrap it on her body.  What the heck was he (it could not have been a she) thinking?  Yummy, sausages around her neck?  Just in case she gets hungry!

The 30 songs included in this double record collection span four albums from the Irish power punk/post-punk band.  There are 13 singles on the first record (with original 45 covers nicely depicted on inner sleeve) and 17 B-sides, including all 4 songs from the Teenage Kicks EP that caught the attention of John Peel. The first two LPs featured driving, relentless, machine-gun anthems that rivals anything by the Ramones. The songs were generally about girls, sex, chocolates and cars.  Typical Irish teenagers trying not to be drawn into the 'Troubles.' The vinyl is a UK import in Mint- condition.  Needless to say, this Ardeck record is very rare find in Canada!  I stumbled across it at an October Toronto Record Show, and paid a very fair $15 for the double LP!


  Image result for skrewdriver orange LP            Image result for plastic bertrand an 1LP

5. Skrewdriver, All Skrewed Up (Chiswick, 1977)

What a great story surrounding this unique record!  I discovered a local flea market with a massive vinyl record collection.  I mean massive!  It took me 5 separate visits from 10am-5pm to get through the 100,000+ vinyl buried in nooks and crannies.  It was a labyrinth maze but a record hoarder's heaven!!

The most fascinating find over the 5 visits was a record in such decrepit shape that I initially passed up on it.  But the cover was so unusual and band name so intriguing that I returned the following weekend to pick it up.  The record was in such poor condition, that I was not expecting to be able to play it. It looked as if they used it as a Frisbee on concrete pavement.  Deep surface lacerations, and oil stains in one corner.  Where the heck had this record been? If only it could talk!  I cleaned the vinyl with 50% alcohol solution, and held my hands to my ears as I placed the needle to the vinyl.  To my outmost shock, the record is playable and the intense static between songs only heightens the appeal of this surprising outstanding original punk record on the famous UK Chiswick label.  In addition, the 13 track LP can only be played on 45 rpm!  The price was FREE as even the owner felt bad about the terrible condition of the record.

Strange history with Skrewdriver.  They stopped recording completely after the debut LP release.....until 1984, when they were resurrected as an extreme White Supremacist skinhead hardcore band.  The original lead singer, Ian Stuart Donaldson, died in a car crash in 1993 under mysterious circumstances.  Definitely not my cup of tea, so to speak!  But the first version of the band recorded an original punk rock LP that stands up surprising well!!   Good luck finding a copy!!!!

6. Plastic Bertrand, An 1 (Vogue, 1978)

Who is Plastic Bertrand, you may wonder?  A Belgian musican who released one of the most recognizable new wave classics, "Ca Plane Pour Moi."   What you don't recognize the song?  Perhaps you may have heard the English version of the same song popularized by Elton Motello?  No, how about the Damned?  Still doesn't register?  The song is "Jet Boy Jet Girl."   REALLY!   Listen to the two songs side-by-side and try convincing a music patent judge that they are different.

Although the melody is identical, the lyrics couldn't be any more different. The French version is gibberish (my wife is French Canadian and is very familiar with the artist and song), while the English version was well .... a little controversial.  Judge for yourself:

And though I'm only just fifteen   /   I like to kick, I like to scream
And even if I have a kick or two in bed   /   When I'm with him it's just a dream
Ooh, hoo, hoo, hoo   /   He gives me head

The other songs are equally fun and upbeat with titles such as "Pogo, Pogo," "Dance Dance," "5.4.3.2.1.0."  But make no mistake; what makes this the LP extremely collectable is "Ca Plane Pour Moi" as one of the truly original new wave hits in late 1977.   I purchased a NM copy of this record on French Vogue label for $10 during a June Toronto Record Show from a collector somewhat hesitant to part with it! 


Sunday, 30 December 2012

The ROAD to 2,000 Vinyl Records

The past 12 months have been a passionate journey of searching out and patiently sorting through countless vinyl records in an attempt at building back my original vinyl records collection.  It has been an unbelievable RIDE and I have found the vast majority of records I had been seeking....and THEN SOME!!!

The journey began between Christmas and New Years day in Quebec City exactly one year ago and by December 29th, 2012 in that same location I had reached the 2,000 album threshold.  One year ago, I stumbled across this massive booth at a local flea market (Marche aux Pouche) selling vinyl from $1 discount bin to individual higher priced progressive/hard rock selections.  What treasures I discovered in the $1 bin, with surprising New Wave titles, among a smorgasbord of vinyl records I had simply forgotten......  I was HOOKED, and the idea for this blog was born!!!

An episode from 'Big Bang Theory' captures my OBSESSION perfectly - Sheldon is in his favourite comic book store ("got it, got it, need it"), explaining to a curious bystander that while he could complete his collection by simply purchasing what he is seeking over the internet, it does not replace "the thrill of discovery, the desire to possess the item, and the satisfaction of owning it."  Moreover, I am nearly ALWAYS surprised to discover a record I wasn't expecting to find, or one that I had completely forgotten.  A long dormant album cover or obscure band name is enough to trigger a flood of MEMORY (much like dunking the coffee cake in Proust's classic novel, 'In Search of Lost Time'). The HUNT is an incredible HIGH for me as much as finally holding and playing that long sought after record!

I have seeked out records in other local Ontario flea markets, garage sales, Toronto Record Shows and used music retail stores.  I have received records for free from friends and loved ones.  I have traveled and purchased records in Rio and Sao Paulo, Brazil.  I have searched for specific classic rock and rap albums for my oldest son Vincent who thinks vinyl is COOL!

The Vinyl Records by The Years:

Original New Vinyl Purchases           (1977-1990):           230       11%
Garage Sales / Used Record Stores  (1991-2011):          350       18%
Flea Markets / Record Shows etc      (2012)                   1420       71%  

The Vinyl Records by Source:

Original New Vinyl Purchases           230        11%
Garage Sales                                     328        17%
Donations                                          132          7%
Used Record Stores                          302        15%
Record Shows                                  164           8%
Flea Markets                                      844        42%        

Milestone Vinyl Purchases:


#1 - Elvis Costello, My Aim is True (Columbia, 1977)
My first vinyl record purchase was in 1977 via Columbia House mail order (Buy 1 record, get 6 free with 4 regular purchases in next 2 years!).  I anxiously awaited my order, and treated the Costello record like a prized possession when it arrived.  Still do!!  This is my favourite record from my favourite male singer/songwriter! "Alison, Mystery Dance, Welcome to the Working Week, Less Than Zero, Watching the Detectives"....WOW.  What a debut LP!  The songs are as fresh and relevant as ever! A taste of the literate, biting, angry lyrics and music to come!  And what about that Buddy Holly look? Way ahead of his time, fashion-wise!


#1000 - Frank Zappa, Joe's Garage Act I (Zappa, 1979)
This record, although not strictly New Wave, is from the original master prankster / hipster Frank Zappa.  He was always recording challenging music with ironic subjects.  This record is special because it belonged to a close personal friend, Bart Holden, and we would laugh to songs like Catholic Girls at his place. Unfortunately Bart dropped dead from a sudden heart attack May 2012 at the age of 49.  His wife Nicole wanted me to have his vinyl collection because of our common love of music.  I cherish his memory wherever I see or play this album.  Bart Holden, R.I.P.!


#2000 - Mike Oldfield, Tubular Bells (Virgin, 1973)
This happened to be the final 'find' on December 29, 2012 after several days digging through the bargain bin in the Quebec City Marche aux Pouche.  A new box of used records arrived as I was ready to leave. In that box was a near mint copy of this first title by Richard Branson's fledgling Virgin Records with the iconic 'double virgin'  inner label.  Funny story about this instrumental record, the opening segment that become the recognizable and creepy soundtrack for the horror film 'The Exorcist.'  A university school buddy borrowed my originally purchased copy for a course presentation back in 1979.  I never saw it again!  This is a record that I desperately wanted to replace!  It took me 33 years!!  But I now have it back! And it still sounds creepy!!