Tuesday 10 December 2013

CLASSIC SONG & LYRICS - Free Nelson Mandela (Special AKA, 1984)



December 5th of this year 2013, Nelson Mandela passed away at the age of 95. For those of us that grew up in unjust era of South African Apartheid rule, Mandela represented the unwavering fight for freedom despite personal sacrifice and hardship.

I must admit that in the early 80s, even though the South African situation was gaining notoriety throughout North America,  it wasn't until I heard the song by Specials AKA in spring 1984 that I began to really appreciate Nelson Mandela's plight.

The original Specials ska 2-tone band had splintered by 1982, but under Jerry Dammers vision and Elvis Costello's incomparable production, a disturbing single was released two years later that captured the frustrations of many who were calling for an end to Apartheid rule, the release of ANC leader Nelson Mandela and a democratically run government that recognized the equal rights of black South African population.  

The lyrics affected me in a powerful manner when I first heard the song, every time I subsequently listened to it and especially after Mandela had passed away.  The plaintive cries to "FREE" Nelson Mandela, the 21 years of captivity and abuse, the shoes to small to fit his feet and ignoring the evil that persisted for far too long.

Despite world-wide condemnation and economic sanctions against Apartheid government, it would take another painful SIX YEARS before Nelson Mandela would be released, for a total 28 difficult years in captivity!!!!!   He was 71 years old when he became a free man once again, and he made up for lost time in a BIG way.  The rest was history in the making.  End of Apartheid, democratic elections for all South Africans and Mandela as President 1994-1999.

For many of us, this song was the powder keg that raised our collective consciousness of this great man's struggle for equality.   R.I.P. Nelson!

Free Nelson Mandela 
Free, Free, Free, Nelson Mandela 
Free Nelson Mandela 
Twenty-one years in captivity 
His shoes too small to fit his feet 
His body abused but his mind is still free 
Are you so blind that you cannot see 

I say Free Nelson Mandela 
I'm begging you 
Free Nelson Mandela 

He pleaded the causes of the ANC 
Only one man in a large army 
Are you so blind that you cannot see 
Are you so deaf that you cannot hear his plea 

Free Nelson Mandela 
I'm begging you Free Nelson Mandela 

Twenty-one years in captivity 
Are you so blind that you cannot see 
Are you so deaf that you cannot hear 
Are you so dumb that you cannot speak 

I say Free Nelson Mandela 
I'm begging you 
Oh free Nelson Mandela, free 
Nelson Mandela I'm begging you 
begging you Please free Nelson Mandela 
free Nelson Mandela 
I'm telling you, you've got to free Nelson Mandela


Thursday 31 October 2013

CLASSIC SONG & LYRICS - Bela Lugosi's Dead (Bauhaus, 1979)

File:Bela Lugosi's Dead Cover.jpg

In celebration of Halloween, I thought it appropriate to showcase one of the early Gothic rock classics. When it was originally released in 1979, it was lengthy (9:36) and abrasive song like nothing before it. Screeching guitars, looping feedback, droning drum passages and echo'y, distant vocals that sounded like it came from inside a coffin.

And the subject matter, Dracula of course!!!  Bela Lugosi being the most recognizable film star depiction of our inexhaustible intrigue with Vampires.  Did you know that the Dracula fictional character was based on real life Vlad the Impaler historical figure? And of course there is Bram Stoker's novel, not to mention the countless TV shows and movies of this genre that refuses to die, just like the refrain in this song "undead, undead, undead."   During its day, the song featured prominently in the 1983 vampire movie, "The Hunger" with David Bowie and Catherine Deneuve.

The song is still challenging to listen to, more commercial-friendly radio listeners find this song repulsive. Just what Bauhaus intended, I am certain! The band initially started as Bowie and T-Rex glam rock imitators but quickly established their own distinctive gothic sound.  Although Bauhaus was an underground sensation in the UK, the band dissolved in 1983, achieving greater success in the US as solo artist (Peter Murphy) and early alternative/college rock band (Love and Rockets).

This first single is what started it all.  Enjoy the original and atmospheric Video. Awwwwwwwwhhhhhhhhhh!

White on white translucent black capes 
Back on the rack 
Bela lugosi's dead 

The bats have left the bell tower 

The victims have been bled 

Red velvet lines the black box 
Bela lugosi's dead 
Undead undead undead 

The virginal brides file past his tomb 
Strewn with time's dead flowers 
Bereft in deathly bloom 
Alone in a darkened room 
The count 
Bela logosi's dead 
Undead undead undead


 

Saturday 28 September 2013

CONCERT REVIEW - Pere Ubu, Lee's Palace, Toronto (Sept 18, 2013)


I must say, I was eagerly anticipating making a return to the iconic bar/concert venue known as Lee's Palace in Toronto.  It has hosted a number of great up-and-coming alternative bands from the 70s-80s and continues to do so today. When I discovered that Pere Ubu was performing, I was excited to experience this influential experimental rock band form Cleveland, Ohio fronted by the lumbering David Thomas.

I had discovered Pere Ubu's music during my vinyl hunting journey, and must admit that I knew little of the band and music.  Well, what an incredible discovery. Better late at 53, than never! Their first two albums 'Modern Dance' and 'Dub Housing' are masterpieces of punk/garage/post punk/underground music.  Still challenging but unique and rewarding with repeated listening. This is not Justin Beiber!

How to describe a band that has no peer?  Let me attempt.....   I would describe Pere Ubu as the Talking Heads meets Residents with a flash of Cpt Beefheart at times constructing soundscapes reminiscent of David Lynch's fine cult movies.   No wonder many are not more familiar with this enigmatic band.  But the band has continued to release interesting music and has a dedicated loyal cult following.

The Venue:  Lee's Palace appeared to me much smaller than I remembered, but that makes for a far more intimate experience. Also was in need of some upgrading, as it gave off a late 70s seedy feel, especially in toilets.  Part of the charm, I suspect.  I even scored one of the few stools available for seating around a mosh pit in front of the stage.  

The Crowd:  The early crowd was predominately 50s male with a particular interest in experimental/alternative music.  Early to line up for 8pm entrance to secure a seat, most likely.  The later crowd (filtering in until 10pm band start) was younger with some diversity and were happy to stand for the 90 minute concert duration.  Nonetheless, women were scarce, with a ratio of 10 men for every woman.  I tried convincing my wife to attend, but I made the mistake of actually playing their unique music at home in her presence.  Definitely, not her cup of tea.

The Opening Act:  Non other than ...... David Thomas.  Yes, the Pere Ubu front-man was also the opening act!  Well, he wasn't actually singing but more like rambling to his own internal stream of conciousness.  The set lasted no more than 30 mins, but featured a synth player via Video screen, a crazy chicken-man bringing David some 'refreshments' and finally a 'normal' guitarist.  Strange to say the least. The music was tense, and the wordplay was eerie.

David Thomas during the set was seated, eyes closed, hypnotised, sleep talking. He appeared to me as a crazy preacher in a trance possessed in a haunted house. A rambling madman, Rock poet or a Sufi saint, in the words of a fellow Ubu fan, Andrei.  You be the judge, based on his words:

"Radio playing all night. Somewhere"
"Received a call in a phone booth in the desert"
"Rise in an orange grove"

   

The Band:  Pere Ubu is David Thomas, who has been the one constant throughout the various personnel changes. The band was formed in 1975, released the two above mentioned influential LPs  'Modern Dance' and 'Dub Housing' in 1978/1979 and have just released this year their 14th studio album 'Lady from Shanghai'. Nonetheless, commercial success has evaded this unique avant-garde approach to music making.  And some bitterness is evident in Thomas' monologues betweens songs (see Quotes below), especially, "I have dreams too, you know. I never thought I'd spend my life in bars, hanging out back in dumpsters."  Poignant.  Pere Ubu deserves a better fate.  Hopefully, this review will peek your interest in this fascinating band!

David Thomas himself at 60 years of age seems frail, especially when exiting the stage.  He performed the entire set seated in a comfortable leather chair, sipping on a full bottle of wine at his feet.  At one point, off with his boot to pull up his sock.  Very Anti-Rock Star behaviour in my opinion.  Perhaps this is his new persona, Joe Music Anybody coming from your living room chair.  What were kinetic spastic body convulsions on stage are now limited to expressive facial and hand gestures. Still very effective.

The band is tight, the music is thunderous in this small venue and the strange noise box manipulated by what would be the synth band member was extraordinary.  Oh, and let's not forget the powerful voice from the seated Giant!

The Music Set:  The selection of music was rather eclectic although heavily drawn from their most recent release 'Lady from Shanghai'.  Thomas chose what he wanted to play rather than a 'greatest hits' collection or full rendering of 'Modern Dance' LP which had been previously performed.  Instead, new obscure songs from an already rather obscure band.  Full disclosure that I was was not familiar with their full catalogue of music, but this did not in any way diminish my enjoyment of this experience. Nevertheless, I was able to re-construct the full song set list as follows :

Love Love Love
Free White
Mandy
Vacuum in My Mind
Over My Head
Breath
Musicians are Scum
And Then Nothing Happened
Modern Dance
Road Trip of Bipasha Ahmed
Misery Goats
Another One (oh Maybellene)
414 Seconds
Goodnite Irene
Encore:
Final Solution 
Heaven
Gone Gone Gone

Highlight:  "Final Solution" which seemed to awake the Giant from his slumber, and we were treated to a hint of the old Master, with dramatic gestures over his heart, and hand protecting his head in the moment of final apocalypse.  Spellbinding!!!

Honourable Mention goes to "Modern Dance", perhaps the signature Pere Ubu song that rocks ten times better in live than on vinyl or CD.

Lowlight:  Only TWO song from 'Modern Dance', NONE from 'Dub Housing'?  C'mon.  I get it that the band is promoting 'Lady from Shanghai', but REALLY, half the songs from new LP before the encore?

The World According to David Thomas (Concert Quotes):
"You have been asleep the past 35 years. I have been awake. Everything you know is wrong." (Pere Ubu had massive hit in 1978, according to Thomas)
"Toronto show .... start of 17 date sold out run at Giants stadium."
"For every lady that comes to the show, 500 people come. Statistical fact. For every 57 year old pot-bellied man ... for every one of those my brothers that come to the show, 2 people don't come. So you can see how important the ladies are."
"Did a tour in Denmark, a summerfest....and we were opening for Kool and the Gang."
"I have dreams too, you know. I never thought I'd spend my life in bars, hanging out back in dumpsters. I dreamed that I was Jon Bon Jovi."
"We're not friends. We've got this nice platform here. You've down there somewhere."
"I was a record store clerk. That's why I got into Rock music. I thought I could make better shit than this."
"I've entertained you this evening with plenty of pain from my personal life. I'm glad you had a good time with it."

Rating:  4/5 'Rock' Band;    5/5 Performing Arts Act

Original Video:
Check out David Thomas performing live in 1989 radio-friendly "Breath" video.  What an entertaining performer!

Friday 5 April 2013

The Greatest Punk Song Ever: "New Rose" vs. "God Save the Queen"

While in Chicago in Feb 2013, I met up with a business colleague and fellow new wave / alternative music fanatic, Taris Lopez.  Over a few local beers and some tasty appetizers, we launched into a full blown debate on what song deserves the title of 'Greatest Punk Song Ever.'  Tarsis was in the Damned's camp with "New Rose" the first official punk song released in the UK.  I argued voraciously that the Sex Pistols "God Save the Queen" lay claim to that lofty title because of the controversy at home and simultaneous international shot-in-the-arm it provided Punk Rock.  As we are both strongly vested in our opinions, the case for each song will be made below.

Before we do so, there are several other songs outside the UK that could earn Honourable Mention for "Greatest Punk Song Ever" as indicated:

Ramones - Blitzbreig Bop (US, April 1976 release)
The song that started it all!  "Hey, ho, let's go!"  The Ramones toured the UK and July 4&5, 1976 performances helped to jump-start a burgeoning punk rock scence, where members of the Sex Pistols and Clash were inspired. Unfortunately, the song has been way over-exposed in arena sporting events.

Saints - (I'm) Stranded (Australia, Sept 1976)
This iconic song from Down Under actually pre-dated débuts by the Damned, Sex Pistols and Clash.  Edgy with a great guitar riff, this classic holds up very well.  Too bad the Saints morphed into a pop-ish band by the 80s, leaving the punk roots behind.

Plastic Bertrand - Ca Plane Pour Moi (Belgium, Dec 1977)
A great international French punk hit that was popularized from original English version "Jet Boy Jet Girl" by Elton Motello and later covered by many punk bands, including the Damned and Chron Gen. What unforgettable lyrics, "Ooh, he gives me head."

Viletones - Screaming Fist (Canada, late 1977)
Canada's premier punk band, with this hard-to-find recording released as their first single after a Toronto punk showcase at CBGBs July 1977.  Nazi Dog on lead vocals and Motor X on drums. Sing-along to "Pump your fist, if you love this shit."

O.K.  For the main bout. In one corner, a band that would demonstrate uncanny staying power by becoming pioneers in an evolving genre, goth!  In the other corner, snotty spitting brats that would self-destruct within a year.

              

The Damned - New Rose (UK, Oct 1976, Stiff label)
* The first single by a British punk band, top UK chart position; 81
* From the first UK Punk album, Damned Damned Damned, top UK chart position; 36
* Performed second live performance July 6, 1976 opening for Sex Pistols at 100 Club
* Years Active: 1976 - present (10 studio LPs, 31 singles)
* Members: Dave Vanian, Brian James, Captain Sensible and Rat Scabies

The introductory adrenaline fuelled pounding drums & guitars are unmistakable.  The topic is teen angst love song!! No politics here.  An enduring band still performing today.

" I gotta a feelin' inside of me / It's kinda strange like a stormy sea"
 " I gotta new rose, I got her good / Guess I knew that I always would"

Sex Pistols - God Save the Queen (UK, May 1977, Virgin label)
* The second single released by the band (first was Anarchy in the UK in Nov 1976)
* Song reached #1 on NME charts, but #2 (*fixed) on official UK Single Charts by BBC
* From the bands only studio album, Never Mind the Bollocks, top UK position #1
* First major live performance Feb 12, 1976 at Marquee supporting Eddie & the Hot Rods
* Years active 1975-1978 (1 studio LP, 13 other albums, 10 singles)
* Members: Johnny Rotten, Steve Jones, Paul Cook, Glen Matlock, Sid Vicious (RIP)

What more can be said about a song released during Queen Elizabeth II's Silver Jubilee in 1977?  The record's lyrics and cover were controversial; direct assault on the queen and monarchy.  The fixing of the charts to keep it out of #1 position, despite it selling more copies than Rod Stewart's "I Don't Want to Talk About It."  REALLY? This song became a rallying cry for disaffected youth in an era of Thatcher's brutal economic policies resulting in high unemployment.  What explosive opening lyrics:

"God save the queen / It's a fascist regime / They made you a moron / A potential H-bomb"
"God save the queen /She ain't no human being / There is no future / In England's dreaming"


So, now it is time to vote:

  • The Damned - New Rose 

     

  • Sex Pistols - God Save the Queen  




Thursday 4 April 2013

Pimp my Punk Playlist - 10 Punk 'Pogo' Songs

While in Chicago, and visiting DJ Tarsis at Late Bar on Feb 9 2013, I provided him a list of Punk anthems that I felt would be great to get folks up on the dance floor, doing the pogo and fist pumping.  To Tarsis' credit he did incorporate two of the original 10 songs list, the Undertones and X-Ray Spex (with original video too, attached below).

Below is the original 10 Punk song listing:


1.       Clash – I Fought the Law
2.       Undertones – True Confessions  (1:56 edgy EP version) 
3.       Damned – Neat Neat Neat
4.       X-Ray Spex –  Identity
5.       Martha & the Muffins – Paint by Number Heart
6.       Skrewdriver - Antisocial
7.       Members – Don’t Push
8.       Vibrators – Whips & Furs
9.       Wire – 12XU
10.     Cure - Fire in Cairo



Saturday 30 March 2013

New Wave is Alive and Well – Late Bar, Chicago USA (Feb 9 2013)

What a fantastic experience it was attending an ALL New Wave Night Club, as featured every first Saturday of the month at Late Bar, in Chicago while on company business.  I was there specifically to check out a work colleague, Tarsis Lopez, who was the opening DJ for this popular New Wave event. 
The Late Bar is well situated in a central Chicago neighborhood, and a select group of Tarsis guests were escorted to a private table at the front of the dance floor and large video screen.  The bar itself was oddly shaped; reasonable space at the entrance, then a rather narrow passageway  through the bar on one side and washrooms on the other, opening up to a spacious rectangular dance area.  This point will make sense later.
We arrived at 10:20pm, just into Tarsis’ varied selection of lesser known New Wave songs, as featured on his regular podcasts on www.AlternativeClassix.blogs.com.  His DJ gig this night ran from 10pm-12:30am, then handing it over to seasoned DJ  Dave Roberts  with his more recognizable hits during his Planet Earth set until 5am into the morning (not the reason for name ‘Late Bar’,  but rather the B-side for Duran Duran debut single ‘Planet Earth’). 

The difference with the DJ Tarsis set are the original videos to accompany the eclectic range of alternative classix music.  Almost feels like one is in the comfort of home watching early MTV videos. Tarsis not only selects captivating less known songs, but even recognizable ones are enhanced by long forgotten ground-breaking videos (for that time!). I don't recall any other night clubs that pack this potent 1-2 sight and sound punch!
Over the course of the night, the crowd began to swell and dance to the original videos accompanying Tarsis’ interesting song selections.   Distinct personalities began to emerge as we approached midnight.  Goth Androgyny meets Wall Street Boomer, Rockabilly boy serenading Mohawk Punker babe, with Fifties bobbysoxer dancing by her lonesome. 
I felt like an interloper into a secret underground society.  Who were these characters and where did they come from?  Age was not an issue.  Older and younger were both singing/bopping to the same tunes. For some (the several that had obviously been around for the original first punk / new wave explosion in late 70s) it was as though Punk/New Wave had never gone away, and they got their weekly nostalgic fix here.  For others (born too late, but likely introduced by older siblings or hip parents!), it was imagining a thrilling, creative, chaotic and rebellious time past, in a safe and fun setting.
Highlights of the Tarsis set were Magazine’s ‘the Light Pours out of Me’ (Wall Street Boomer favorite and excited that I too loved his song), Blancmange’s ‘Living On the Ceiling’ (ATTACHED video of Middle East setting is stunning) and a personal request, the Undertones ‘True Confessions’, in which I ran in circles around Goth Andro (as good a song as anything by the Ramones, in my humble opinion).

Vee-Jay  Tarsis Lopez  - Set Listing
Tarsis-feb
The Cure - 10:15 Saturday Night
Depeche Mode - Everything Counts
Duran Duran - New Religion
Electronic - Disappointed

Human League - Night People
Tracy Thorn - It's All True
Soft Cell – Bedsitter
Blancmange - Living On The Ceiling
Magazine - The Light Pours Out of Me
X-Ray Spex - Identity
Undertones – True Confessions
Icehouse – Icehouse
Bryan Ferry - Limbo
Tones on Tail - Performance
New Order - Everything's Gone Green
Erasure - Chains of Love
Eurythmics - Love Is A Stranger
Adam Ant - Ant Rap
Stone Roses - Fools Gold
Charlatans UK - The Only One I Know
Blur - Boys and Girls


                 
Enjoying the Eurythmics video                (L-R) Trish Troumpoucis, Christy Nolan, Tarsis Lopez
 (Laura Grossman in background)


The DJ Roberts set began after midnight, and I discovered a fresh, modern song  ‘Photographic’ from Depeche Mode’s debut LP.  I was on the dancefloor with Tarsis work colleagues, and Trish knew the all the lyrics by heart, punctuated by the catchy refrain:
I take pictures
Photographic pictures

Bright light, dark room
Bright light, dark room

We were just getting into a groove; shouting, jumping and fist pumping to Depeche Mode and New Order’s ‘Temptation’:
Oh, you've got green eyes
Oh, you've got blue eyes
Oh, you've got grey eyes
And I've never seen anyone quite like you before

Up, down, turn around
Please don't let me hit the ground
Tonight I think I'll walk alone
I'll find my soul as I go home

 Then I was told by the Late Bar Manager that I needed to stop jumping around as I had received complaints from others on the dancefloor , and that I posed a threat.  REALLY, a 53 year old Canadian out-of-shape guy was a threat to 20 and 30 something wannabes???   I was insulted!!!  I lived that exciting late 70s era before the majority of these poseurs were even born.  I perfected pogo dancing in my day.  LOL!!! 

When I finally calmed down, I realized the layout of Late Bar, with its narrow access posed a huge fire security risk.  This was on the heels of the devastating nightclub fire in Brazil.   OK, I got it.  This wasn’t personal after all.  But my night was done at this point.  I waited for Tarsis and followed him out of bar as Talking Heads ‘Life During Wartime’ was playing;

This ain't no party, this ain't no disco,
This ain't no fooling around
No time for dancing, or lovey dovey,
I ain't got time for that now

An ironic but fitting end to a spectacular evening of fantastic New Wave music in Chicago!!!

Post – Script:  A Late Bar waiter was inquiring from Tarsis about the guy who had been jumping around the dancefloor.  His comment was that he had not seen such a high energy level at the bar in a long time! 

Tuesday 26 March 2013

CLASSIC SONG & LYRICS - How Soon is Now? (The Smiths, 1984)

File:Smithshowsoonisnow.jpg

Perhaps one of the most identifiable new wave songs of the 80s, the Smith's "How soon Is Now?" opens with Johnny Marr's electrifying guitar screech, signaling the emotional desperation to come from Morrissey's naked words.  This is a plain cry for human connection and love in the Yuppie power and money obsessed 'Wall Street' decade.  The song is evocative in the same way that Munch's modern art's masterpiece 'the Scream' leaves an unsettled impression on the interloper.  This is exactly how one feels listening to this Smiths signature song - that one is eavesdropping into the fractured soul of the singer. Morrissey was always an enigmatic figure with cryptic glimpses into his unconventional life, but the feelings he expresses so convincingly are universal - the pursuit for love and the ideal life-partner/soul-mate!

On a personal level, this song was released a short while after a very painful split from a four year relationship.  I easily identified with the pain and seemingly impossible ordeal of finding lasting love ever again.  The song represented my wake-up call. I shifted from one relationship to the next, club to club, somewhat lost and disillusioned. I felt as if the song was written about ME.  That is the power of great art.

I eventually met the love of my life, Guylaine, my wife now of 22 years (and still going strong).  I took a long while after the Smiths song to find the right person, but by then I knew the exact qualities I was searching.  

As an aside, I recently heard the song played once again in a charity event.  It made my spine crawl to hear the Morrissey's howl of longing as if it were 1984/1985 once again. Not surprising my list of 100 Essential New Wave Songs ends with this timeless Smiths masterpiece.  It was a time capsule that perfectly captured my emotional state and impacted me like no other!


I am the son and the heirOf a shyness that is criminally vulgarI am the son and heirOf the nothing in particular

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

I am the son and the heirOf a shyness that is criminally vulgarI am the son and the heirOf nothing in particular

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

There's a clubIf you'd like to goYou could meet somebodyWho really loves you

So you go and you stand on your ownAnd you leave on your ownAnd you go homeAnd you cry and you want to die

When you say it's gonna happen nowWell, when exactly do you mean?See, I've already waited too longAnd all my hope is gone

You shut your mouth, how can you sayI go about things the wrong wayI am human and I need to be lovedJust like everybody else does

The embedded video conveys the mid-80s fashion style and increasing social isolation very accurately. (Sorry for the opening advertisement!!)


the smiths - how soon is now.. by robertjgunn

Friday 11 January 2013

Top Six Vinyl Record Finds of 2012

What an exciting year 2012 has been for me collecting vinyl, after a new found desire to replace many that I had inadvertently sold in my hasty youth.  The satisfaction of replacing that early Bob Marley/Wailers record, finding that elusive Breeding Ground LP with EP included, or hearing again that long forgotten song "Vertigo" by Rupert Hines (not Rupert Holmes as I soon discovered)!  What an indescribable RUSH!!!

There are many such examples in a year spend tirelessly scouring dusty flea markets, attending packed Record Shows, or carving out time while travelling aboard for work or pleasure.  The HUNT for vinyl is never-ending!  But there are SIX special vinyl records that stand out in a year where I added 1420 records to my expanding collection (almost quadrupling it in one year vs. previous 35 years of selective collecting).

Top Six Vinyl Record Finds of 2012:

           

1. English Beat, I Just Can't Stop It (Sire, 1980)
    
The actual vinyl is in just VG+ condition, but what distinguishes this from all the rest is that the cover is autographed by each of the six band members (corresponding to the silhouette of their faces in iconic cover).  Are you kidding me??   My All-Time favourite LP signed by my All-Time favorite live Band!!!  I did not have the pleasure of witnessing the signing of the LP, but possessing this copy is the next best thing!

Funny thing is that I almost foolishly passed it up.  After a long day of discovering a new Retail used vinyl store in east end of Toronto, I stopped by Sonic Boom and found this unique record.  I hesitated due to the $15 price tag and the fact that I had just that day purchased a Near Mint copy of the same record.  I left the store without purchasing it late Saturday night.

When I got home, doubts started to surface surrounding my decision to pass on this one-in-a-lifetime signed album cover!  What the heck was I thinking?  I blame it on hours of record hunting fatigue in a new store!  I asked my wife her opinion on the matter, and she was unequivocal!  ARE YOU NUTS? I must mention that she does not share the same degree of passion for vinyl records as I do.  But on this topic she was quite adamant.  I immediately called back Sonic Boom the following Sunday morning, to learn that it was not there!  Oh No!!!  Was it sold or misplaced?  I had to find out! I drove in a panic, covering the distance in record time.  I rushed to the Ska/Reggae section, initially could not find it, but after frantic searching found it wedged behind the display record.  How did it get there?  Who cares!   I OWN IT now!!!

2. Television, Marquee Moon (Elecktra, 1977        

This record has assumed legend status over the years.  Original CBGB darlings, Richard Hell leaving over conflicts with Tom Verlaine, universally critically praised LP, but a dismal commercial failure.  Hence the difficulty in finding any vinyl copy of this landmark recording.  Very few purchased this record!   I vaguely remember seeing a copy at the community public library that I worked as a teenager.  My good friend and work buddy Santino Bellisario has confirmed seeing the elusive record at same library. How did we miss this post-punk masterpiece with quasi ‘American Gothic’ cover art?  It was under our nose and had no idea of the greatness we were dealing with!

I was even told by a vinyl record aficionado that it would be next to impossible to find one (outside of a few for sale on internet, which I refuse to purchase).  Well, lo and behold!  I informed my favourite Retail used record store owner that I was looking for this record.  Presto!  He found a Near Mint copy by November from one of his regulars selling vinyl.  I paid $20 for my second most prized vinyl find in the past year!  I have already listened to this record multiple times straight through without skipping a single song.  Even after 35 years, this LP is like no other, with unique singing, poetic lyrics and stunning dual guitar playing.  The title track is a stunning 10 minutes long and was released as a single over two sides! This album is simply a masterpiece!

         

3. New Order, Movement (Factory, 1981)

I am proud to say that I purchased all the original New Order records when they were released, all domestic releases and Extended Play singles, including famous 'Blue Monday' with the unique but so expensive package that nearly bankrupted Factory Records. Well, that is what I assumed.  I always thought that the EP titled 1981-FEP313-1982, with the stunning 'Temptation' single, was the first record. However, I learned this past year, via Wikipedia, that I was in fact missing their all important debut album.  This p***ed me off.  This was amongst my favourite bands during the evolving synth dance music explosion of the early 80s.  And I wasn't even aware of their debut LP!

It was only by pure luck that I stopped at a small boutique highbrow downtown Toronto record store, and reached down at the hidden back of the 80s music boxes. There I found a pristine collectors copy, listened to it thoroughly in the store provided turntable and gladly paid the $30 cash for this hard to find copy with the simple artist cover.  What makes this record a delight is that it marked the transition for the surviving band members of Joy Division (formerly Warsaw) to the newly incarnated New Order. The German WWII motifs in the band name selections were no accident.  The sound is early industrial, dark and de-humanized.  Sounds a lot like Joy Division.  Was this record a homage to Ian Curtis?   Perhaps, but it marks the final chapter.  This debut record sold few copies, like Joy Division LPs at the time. Which makes it highly sought-after.  And I now own a copy that appears to have been played but once or twice!  How lucky!

4. The Undertones, All wrapped Up (Ardeck, 1983)

Don't let the bizarre, disgusting album cover turn you off to what is arguably one the best all-time single and B-side collections of any band.  Even the band distanced themselves from the creative 'genius' who thought it would be a good idea to dress-up a lovely model in various types of meat and shrink-wrap it on her body.  What the heck was he (it could not have been a she) thinking?  Yummy, sausages around her neck?  Just in case she gets hungry!

The 30 songs included in this double record collection span four albums from the Irish power punk/post-punk band.  There are 13 singles on the first record (with original 45 covers nicely depicted on inner sleeve) and 17 B-sides, including all 4 songs from the Teenage Kicks EP that caught the attention of John Peel. The first two LPs featured driving, relentless, machine-gun anthems that rivals anything by the Ramones. The songs were generally about girls, sex, chocolates and cars.  Typical Irish teenagers trying not to be drawn into the 'Troubles.' The vinyl is a UK import in Mint- condition.  Needless to say, this Ardeck record is very rare find in Canada!  I stumbled across it at an October Toronto Record Show, and paid a very fair $15 for the double LP!


  Image result for skrewdriver orange LP            Image result for plastic bertrand an 1LP

5. Skrewdriver, All Skrewed Up (Chiswick, 1977)

What a great story surrounding this unique record!  I discovered a local flea market with a massive vinyl record collection.  I mean massive!  It took me 5 separate visits from 10am-5pm to get through the 100,000+ vinyl buried in nooks and crannies.  It was a labyrinth maze but a record hoarder's heaven!!

The most fascinating find over the 5 visits was a record in such decrepit shape that I initially passed up on it.  But the cover was so unusual and band name so intriguing that I returned the following weekend to pick it up.  The record was in such poor condition, that I was not expecting to be able to play it. It looked as if they used it as a Frisbee on concrete pavement.  Deep surface lacerations, and oil stains in one corner.  Where the heck had this record been? If only it could talk!  I cleaned the vinyl with 50% alcohol solution, and held my hands to my ears as I placed the needle to the vinyl.  To my outmost shock, the record is playable and the intense static between songs only heightens the appeal of this surprising outstanding original punk record on the famous UK Chiswick label.  In addition, the 13 track LP can only be played on 45 rpm!  The price was FREE as even the owner felt bad about the terrible condition of the record.

Strange history with Skrewdriver.  They stopped recording completely after the debut LP release.....until 1984, when they were resurrected as an extreme White Supremacist skinhead hardcore band.  The original lead singer, Ian Stuart Donaldson, died in a car crash in 1993 under mysterious circumstances.  Definitely not my cup of tea, so to speak!  But the first version of the band recorded an original punk rock LP that stands up surprising well!!   Good luck finding a copy!!!!

6. Plastic Bertrand, An 1 (Vogue, 1978)

Who is Plastic Bertrand, you may wonder?  A Belgian musican who released one of the most recognizable new wave classics, "Ca Plane Pour Moi."   What you don't recognize the song?  Perhaps you may have heard the English version of the same song popularized by Elton Motello?  No, how about the Damned?  Still doesn't register?  The song is "Jet Boy Jet Girl."   REALLY!   Listen to the two songs side-by-side and try convincing a music patent judge that they are different.

Although the melody is identical, the lyrics couldn't be any more different. The French version is gibberish (my wife is French Canadian and is very familiar with the artist and song), while the English version was well .... a little controversial.  Judge for yourself:

And though I'm only just fifteen   /   I like to kick, I like to scream
And even if I have a kick or two in bed   /   When I'm with him it's just a dream
Ooh, hoo, hoo, hoo   /   He gives me head

The other songs are equally fun and upbeat with titles such as "Pogo, Pogo," "Dance Dance," "5.4.3.2.1.0."  But make no mistake; what makes this the LP extremely collectable is "Ca Plane Pour Moi" as one of the truly original new wave hits in late 1977.   I purchased a NM copy of this record on French Vogue label for $10 during a June Toronto Record Show from a collector somewhat hesitant to part with it!